Biography
BA Harvard University (2008), PhD Columbia University (2016)
Research areas
Stephanie O’Rourke specializes in eighteenth- and nineteenth-century European visual culture, particularly in relation to resource extraction, scientific knowledge, and media technologies. Her publications on this can be found in Representations, Art History, Eighteenth-Century Studies, Journal18 and elsewhere.
Her second book, Picturing Landscape in an Age of Extraction, is forthcoming with the University of Chicago Press. It argues that 'picturing landscape' was the primary means through which European artists grappled with an enormous transformation in how humans relate to the natural world, characterized by the management and extraction of “natural resources” on an unprecedented scale and within a global network. The challenge for late 18th- and early 19th-century artists lay in creating pictorial modes that could be commensurate with such procedures. Multi-national in its scope, this book explores how European landscapes pictured the natural environment in relation to specific extractive industries such as mining and timber harvesting as well as emerging concepts about race, climate, and waste operative within the continent and its colonial networks.
Her first book (Art, Science and the Body in Early Romanticism, Cambridge University Press), short-listed for the Kenshur Prize for best book in eighteenth-century studies, examines the relationship between art and the production of scientific knowledge at the dawn of the nineteenth century. It reveals some of the ways that artworks were critical actors in a larger epistemological transformation taking place at the twilight of European Enlightenment. A recent article, "Art after Self Evidence," reflects specifically on the status of race and gender in this shift.
She was recently a Saltire Fellow at the Royal Society of Edinburgh (2022) and previously held a Leverhulme Research Fellowship (2020). Her research has been supported by grants and fellowships from the Social Science Research Council, the Yale Center for British Art, the Royal Academy, the Association for Art History, the Pierre and Tana Matisse Foundation, and elsewhere. From 2013-14 she was a Mellon-funded research fellow at The Museum of Modern Art, where she worked primarily on the exhibition 'Degas: A Strange New Beauty' (2016).
PhD supervision
- Lauren Robbins
- Veatriki Spengou
- Ingrid Steiner
- Camille Wilson
Selected publications
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Jean-Louis Dupain-Triel’s Carte minéralogique de France (1781)
O'Rourke, S., 2024, In: Journal18.Research output: Contribution to journal › Article
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Review of Iris Moon and Richard Taws, eds. Time, Media, and Visuality in Post-Revolutionary France. London: Bloomsbury, 2021.
O'Rourke, S., Apr 2023, In: H-France. 23, 72, p. 1-5Research output: Contribution to journal › Book/Film/Article review
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Open access
Art after self evidence: Fuseli, Blake, and Banks
O'Rourke, S., 25 Jul 2022, In: European Romantic Review. 33, 4, p. 497-513 17 p.Research output: Contribution to journal › Article › peer-review
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Race: Representation in the French Colonial Empire
O'Rourke, S. (ed.) & Blair, S. (ed.), 1 Apr 2022, In: Journal18. 13Research output: Contribution to journal › Special issue › peer-review
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Serial portraits and serial selves at the end of the French Enlightenment
O'Rourke, S., 14 Sept 2022, Porträts in Serie: Reihung und Vervielfältigung als Mittel von Argumentation in Geschichte, Kunst und Literatur. Freyer, S., Niehr, K. & Schmitt-Maaß, S. (eds.). Wiesbaden: Harrassowitz Verlag, p. 165-188 (Wolfenbütteler Forschungen; vol. 171).Research output: Chapter in Book/Report/Conference proceeding › Chapter
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Art, science, and the body in early romanticism
O'Rourke, S., 4 Nov 2021, Cambridge: Cambridge University Press. 253 p. (Cambridge studies in romanticism)Research output: Book/Report › Book
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Open access
The sediments of history in Napoleonic France
O'Rourke, S., 25 May 2021, In: Word & Image. 37, 1, p. 6-20Research output: Contribution to journal › Article › peer-review
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Open access
Histories of the self: Anne-Louis Girodet and the Trioson portrait series
O'Rourke, S., 2019, In: Eighteenth-Century Studies. 52, 2, p. 201-223Research output: Contribution to journal › Article › peer-review
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Open access
Staring into the abyss of time
O'Rourke, S., 12 Nov 2019, In: Representations. 148, 1, p. 30-56 27 p.Research output: Contribution to journal › Article › peer-review
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1879
O'Rourke, S., 2018, The Royal Academy of Arts Summer Exhibition: A Chronicle, 1769–2018. Paul Mellon Centre for Studies in British ArtResearch output: Chapter in Book/Report/Conference proceeding › Other contribution