Prof Julia Prest
Deputy Head of School
- Phone
- +44 (0)1334 46 3646
- jtp22@st-andrews.ac.uk
- Office
- Room 307
- Location
- Buchanan
- Office hours
- Tuesday 3:30-4:30, Thursday 11-12
Research areas
Research areas
Julia Prest is Professor of French and Caribbean Studies. Prior to coming to St Andrews in 2009, she held academic positions at Yale University and at Jesus College, Oxford. She wrote her PhD at the University of Cambridge, having studied French and Music at the University of Birmingham.
Current and Recent Research
Julia Prest's research interests focus on early-modern French, francophone and Creole theatre, including opera and dance. She is currently working on the public theatre tradition in the former French slave colony of Saint-Domingue (now Haiti) where, in the late eighteenth century, hundreds of works were performed in different towns by professional theatre troupes before mixed but segregated audiences. She has recently completed a monograph, Public Theatre and the Enslaved People of Colonial Saint-Domingue, which will be published by Palgrave Macmillan in 2023. As part of her ongoing research, Julia Prest has put together, with support from The British Academy, the Leverhulme Trust and the University of St Andrews, a trilingual (French-English-Haitian Creole) website featuring a database of public performances of all plays, ballets and operas as documented in the local newspapers between 1764 and 1791: https://www.theatreinsaintdomingue.org. She is founder of the Colonial-Era Caribbean Theatre and Opera Network, supported by a Royal Society of Edinburgh Network Grant, and her edited volume, Colonial-Era Caribbean Theatre: Issues in Research, Writing and Methodology will appear with Liverpool University Press in 2023.
Research and Impact
Julia Prest has published a critical edition of the first play known to have been written in Martinique (and performed at least twice in Saint-Domingue): the anonymous comedy, Les Veuves créoles, and she acted as dramaturg for a new adaptation of the play premiered in Martinique in 2022. Her research also formed the basis of a new work by Catherine Bisset, Placeholder, which reimagines the experiences of the most famous performer of colour in Saint-Domingue, known as Minette.
Other Research
Julia Prest wrote her PhD thesis on Molière's comedy-ballets, comparing early performances at the French court with subsequent performances in the public theatre in Paris. Her second major project culminated in her monograph, Theatre under Louis XIV: Cross-casting and the Performance of Gender in Drama, Ballet and Opera (Palgrave Macmillan, 2006; 2013). In her next monograph, Controversy in French Drama: Molière's Tartuffe and the Struggle for Influence (Palgrave Macmillan, 2014; 2016), she changes the terms of the debate by challenging received notions regarding the opposition between the sincere believer (vrai dévot) and the hypocrite (faux dévot); she also demonstrates that Tartuffe was itself a key locus for the struggle for influence among competing political and religious factions during the early reign of Louis XIV.
Julia Prest has co-edited (with Guy Rowlands) The Third Reign of Louis XIV, c.1682-1715 (Routledge, 2017) and (with Joseph Harris) Guilty Pleasures: Theater, Piety, and Immorality in Seventeenth-Century France (New Haven, 2016).
Teaching
Julia Prest’s Honours modules in the Department of French include Saint-Domingue: Theatre and Society in a Caribbean Slave Colony and Translating French Opera – the only course of its kind, for which she was short-listed for the Most Innovative Teacher of the Year Award 2016 by the Times Higher Education. She also coordinates the module Performing Early-Modern Sexualities within the Comparative Literature programme.
Selected publications
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Popular Opera in Eighteenth-Century France: Music and Entertainment before the Revolution
Prest, J., 28 Feb 2023, (E-pub ahead of print) In: Journal of Musicological Research. p. 1-3 3 p.Research output: Contribution to journal › Book/Film/Article review › peer-review
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Colonial-era Caribbean theatre: issues in research, writing and methodology
Prest, J. T. (ed.), 2022, (Accepted/In press) Liverpool: Liverpool University Press.Research output: Book/Report › Book
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Open access
From tragic hero to creole businesswoman: Voltaire’s Sémiramis and her parodies in 18th-century France and Saint-Domingue
Prest, J. T., 22 Feb 2022, Allure of the Ancient: Receptions of the Ancient Near East, ca 1600-1800. Geoga, M. & Steele, J. (eds.). Brill, p. 259-283 25 p. (Intersections; vol. 80).Research output: Chapter in Book/Report/Conference proceeding › Chapter
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Open access
Making "slave ownership" visible in the archival catalogue: findings from a pilot project
Buncombe, M. & Prest, J., 20 Jan 2022, In: Archive and Records. 42, 3, p. 228-247 20 p.Research output: Contribution to journal › Article › peer-review
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Open access
Performance
Prest, J., 13 May 2022, Transnational modern languages : a handbook. Burns, J. & Duncan, D. (eds.). Liverpool: Liverpool University Press, p. 227-234 8 p. (Transnational modern languages; vol. 7).Research output: Chapter in Book/Report/Conference proceeding › Chapter
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Public theatre and the enslaved people of colonial Saint-Domingue
Prest, J. T., 2022, (Accepted/In press) London: Palgrave Macmillan.Research output: Book/Report › Book
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Uncovering connections between theatre and slavery: runaway advertisements in colonial Saint-Domingue and beyond
Prest, J. T., 2022, (Accepted/In press) Colonial-era Caribbean theatre: issues in research, writing and methodology. Prest, J. (ed.). Liverpool: Liverpool University PressResearch output: Chapter in Book/Report/Conference proceeding › Chapter
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Neoclassical theater in the colonial context: the public theater of Saint-Domingue
Prest, J., Jul 2021, Teaching French Neoclassical Tragedy. Bilis, H. & McClure, E. (eds.). Modern Languages Association, (Options for Teaching; vol. 55).Research output: Chapter in Book/Report/Conference proceeding › Chapter
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The familiar other: blackface performance in creole works from 1780s Saint-Domingue
Prest, J. T., 8 Mar 2021, Colonialism and Slavery in Performance: Theatre and the Eighteenth-Century French Caribbean. Leichman, J. & Bénac-Giroux, K. (eds.). Oxford/Liverpool: Liverpool University Press, p. 41-63 22 p. (Oxford University Studiees in the Enlightenment; vol. 2021, no. 03).Research output: Chapter in Book/Report/Conference proceeding › Chapter
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Open access
Pale imitations: white performances of slave dance in the public theatres of pre-revolutionary Saint-Domingue
Prest, J., 2019, In: Atlantic Studies. 16, 4, p. 502-520 19 p.Research output: Contribution to journal › Article › peer-review