EN4439 Poetry and Failure
Academic year
2025 to 2026 Semester 2
Curricular information may be subject to change
Further information on which modules are specific to your programme.
Key module information
SCOTCAT credits
30
SCQF level
SCQF level 10
Availability restrictions
Spaces are allocated by Honours advisors in the School of English, following choices entered by students at pre-advising.
Planned timetable
Thursday 1-3pm
Module Staff
Dr Rosa Campbell
Module description
When Marianne Moore writes of poetry, ‘I, too, dislike it’; when Plato banishes poets from his utopian Republic; when Amiri Baraka declares that ‘poems are bullshit unless they are / teeth or trees or lemons’; or when W.H. Auden claims that ‘poetry makes nothing happen,’ they are all facing up to the problem of poetry and failure. This module explores this idea across time, covering texts from the Renaissance to the present day, and students will be encouraged to develop their own research interests to think trans-temporally about poetics. Working through poetry about failure, poetry that fails, the poetics of failure, and failures of reading, we will consider incompletion, uselessness, error, silliness, difficulty, limits, silence, embarrassment, refusal, and just plain badness. The module will provide intensive training in close reading, helping students develop a detailed understanding of the mechanics of form and technique, whilst thinking, ultimately, about the "point" of poetry.
Relationship to other modules
Pre-requisites
BEFORE TAKING THIS MODULE YOU MUST PASS EN2003 AND PASS EN2004
Assessment pattern
Coursework = 100%
Re-assessment
Coursework = 100%
Learning and teaching methods and delivery
Weekly contact
1 x 2-hour seminar per week, and 2 optional consultative hours per week, over 11 weeks.
Scheduled learning hours
44
Guided independent study hours
256
Intended learning outcomes
- Develop a high-level understanding of poetic form and technique, and be able to deploy this in sophisticated analysis of poetry.
- Demonstrate an ability and willingness to approach texts across periods, both within and abstracted from their historical contexts.
- Interrogate the theoretical idea of ‘failure’ as it exists in critical theory and contemporary discourse.
- Demonstrate originality, creativity and independent research in carrying out written and recorded assessments.