EN4430 Making Performance
Academic year
2025 to 2026 Semester 2
Curricular information may be subject to change
Further information on which modules are specific to your programme.
Key module information
SCOTCAT credits
30
SCQF level
SCQF level 10
Availability restrictions
Not automatically available to General Degree students
Planned timetable
10.00 am - 12.00 noon Fri
Module Staff
Dr Sam Haddow (JSFH)
Module description
The twentieth and twenty-first centuries have seen a broad range of radical approaches to the task of making performance. This module will explore a range of these approaches, which may include physical theatre, theatres of cruelty, puppetry and mask, psychophysical performance and situationism. Through practical workshops, students will explore intersections of theory and practice, developing their skills as researchers and makers of performance. Students will be introduced to a diverse range of performance practices developed by British and European theatre makers throughout the twentieth and twenty-first centuries. Through tutor-led workshops, they will explore the relationships between theory and practice, and interrogate ways in which innovative approaches to performance-making have shaped contemporary dramatic output. Students will develop their research skills through set-reading and independent study, as well as working together to produce practical performance pieces using techniques encountered on the course.
Relationship to other modules
Pre-requisites
BEFORE TAKING THIS MODULE YOU MUST PASS EN2003 AND PASS EN2004
Assessment pattern
60% Coursework 40% Exam
Re-assessment
100% Exam
Learning and teaching methods and delivery
Weekly contact
2 hours of lectures and workshops, and 2 x optional consultative hours.
Scheduled learning hours
22
Guided independent study hours
278
Intended learning outcomes
- Demonstrate knowledge of major trends in European performance making through the 20th and 21st centuries.
- Demonstrate knowledge of the intersections between theory and practice in different strategies for making performance.
- Evaluate different approaches to performance making, both critically and per form.
- Collaborate with others in producing a piece of theatre.