AH4227 Scotland and the Arts of Africa

Academic year

2025 to 2026 Semester 2

Key module information

SCOTCAT credits

30

The Scottish Credit Accumulation and Transfer (SCOTCAT) system allows credits gained in Scotland to be transferred between institutions. The number of credits associated with a module gives an indication of the amount of learning effort required by the learner. European Credit Transfer System (ECTS) credits are half the value of SCOTCAT credits.

SCQF level

SCQF level 10

The Scottish Credit and Qualifications Framework (SCQF) provides an indication of the complexity of award qualifications and associated learning and operates on an ascending numeric scale from Levels 1-12 with SCQF Level 10 equating to a Scottish undergraduate Honours degree.

Availability restrictions

Not automatically available to General Degree students

Planned timetable

tba

This information is given as indicative. Timetable may change at short notice depending on room availability.

Module coordinator

Dr K E Cowcher

Dr K E Cowcher
This information is given as indicative. Staff involved in a module may change at short notice depending on availability and circumstances.

Module Staff

Dr Kate Cowcher

This information is given as indicative. Staff involved in a module may change at short notice depending on availability and circumstances.

Module description

This course explores the complex relationship between Scotland and African continent as revealed through the collections of art objects, public sculptures and other archives found in Scottish towns and cities, as well as objects and cultural practices on the African continent. It will provide the opportunity to engage historic, modern and contemporary works of art from the continent on their own terms, whilst also engaging the ways in which they came to be in our local collections, and what their futures ought to be. The course will explore the ways in which African cultures were perceived and represented in Scotland, from the eighteenth century to the present. The course will consider histories of exploration, military encounter, missionary engagement, as well as the interactions in the era of independence and the contemporary artists' responses to Scotland's historic entanglements with the continent.

Relationship to other modules

Pre-requisites

BEFORE TAKING THIS MODULE YOU MUST ( PASS AH1001 OR PASS AH1003 ) AND PASS AH2001 AND PASS AH2002

Assessment pattern

Coursework = 100%

Re-assessment

Coursework = 100%

Learning and teaching methods and delivery

Weekly contact

1h lecturex11 weeks, 2h seminarx11 weeks, 2 tutor's office hour (x 12 weeks)

Scheduled learning hours

33

The number of compulsory student:staff contact hours over the period of the module.

Guided independent study hours

280

The number of hours that students are expected to invest in independent study over the period of the module.

Intended learning outcomes

  • To understand the global historiography of the arts of Africa, and the benefits and challenges of approaching art from the continent from an Art Historical perspective. To understand the global historiography of the arts of Africa, and the benefits and challenges of approaching art from the continent from an Art Historical perspective.
  • To learn about a range of artistic objects and practices on the African continent, and their contingent histories before and during the colonial era, including royal and political arts, divination and spiritual practice, masquerade and rites of passage, and healing arts. To learn about a range of artistic objects and practices on the African continent, and their contingent histories before and during the colonial era, including royal and political arts, divination and spiritual practice, masquerade and rites of passage, and healing arts.
  • To learn specific indigenous terminology from Yoruba, Igbo, Mende, Kikuyu, Luba, Zulu and other cultures, and to apply these in discussion of specific art objects. To learn specific indigenous terminology from Yoruba, Igbo, Mende, Kikuyu, Luba, Zulu and other cultures, and to apply these in discussion of specific art objects.
  • To learn about Scotland's manifold engagements with the African continent, from James Bruce's journey to Gondarine Ethiopia in the C18th through to contemporary art by artists of Scottish-African descent To learn about Scotland's manifold engagements with the African continent, from James Bruce's journey to Gondarine Ethiopia in the C18th through to contemporary art by artists of Scottish-African descent
  • To study the history and status, and reflect upon the future of collections of African art objects in major Scottish cities, from Glasgow to Aberdeen. To study the history and status, and reflect upon the future of collections of African art objects in major Scottish cities, from Glasgow to Aberdeen.