FM4130 Cinema and Neoliberalism
Academic year
2024 to 2025 Semester 2
Curricular information may be subject to change
Further information on which modules are specific to your programme.
Key module information
SCOTCAT credits
30
SCQF level
SCQF level 10
Availability restrictions
30 credit module designed for Honours students in Film Studies. Students in other Honours degrees courses can apply to the Director of Undergraduate Studies. Student numbers will be capped.
Module coordinator
Dr V M Saglier
Module Staff
Dr Viviane Saglier
Module description
Neoliberalism is everywhere and nowhere at the same time. It is a doctrine of political economy that has successfully re-organized the world around imperatives of individualistic freedom, private property, and free trade. As an all-encompassing term, neoliberalism is often difficult to grasp; yet it provides a crucial analytical lens to understand the shaping of global cinema since the late 1970s. The module is guided by a twofold question: how has neoliberalism informed film aesthetics and global conditions of film production? Conversely, how does cinema make neoliberalism visible and tangible? The module offers an overview of key concepts and approaches that help us understand cinema in the neoliberal age. It encourages students to investigate the relationship between aesthetics, affects, and material conditions of film production. We will explore a variety of global films and media, from reality TV, militant films, blockbusters and archival films to art cinema and documentary.
Relationship to other modules
Pre-requisites
BEFORE TAKING THIS MODULE YOU MUST PASS FM2002 AND PASS FM2003
Assessment pattern
Coursework - 100%
Re-assessment
Coursework - 100%
Learning and teaching methods and delivery
Weekly contact
1 2-hour seminar (x 11) and 1 2-hour screening (x11).
Scheduled learning hours
44
Guided independent study hours
360
Intended learning outcomes
- identify the basic issues related to global cinema under neoliberalism.
- develop a multi-layered and dynamic understanding of cinema that combines representation, aesthetics, and conditions of film production from a global perspective.
- engage creatively and critically with a variety of primary sources, promotional material, and writing genres that underpin contemporary global film economies.
- critically articulate their own positionality and labour practices vis-à-vis cinema in the neoliberal age.
- develop research, critical, and practical writing and oral skills that are necessary for academic research, and which are transferrable to industry, administrative, and non-profit jobs.