CL4468 Classics and the Left
Academic year
2024 to 2025 Semester 2
Curricular information may be subject to change
Further information on which modules are specific to your programme.
Key module information
SCOTCAT credits
30
SCQF level
SCQF level 10
Planned timetable
To be arranged
Module coordinator
Dr H A Stead
Module Staff
Dr Henry Stead
Module description
As the so-called cradle of Western civilisation, the Greek and Roman classics are and have frequently been associated with conservative and right-wing ideologies. In extremes, this collision can manifest in fascist receptions of the classics. But this is only one side of a complex story of cultural contestation. This module invites students to learn how classical culture was treated by the radical left since Karl Marx to the present day. By focusing on the classical receptions of international leftist writers and artists, students will experience how a broad range of classical material has been used in the struggle for ‘progress’.
Relationship to other modules
Pre-requisites
AS STATED IN THE SCHOOL OF CLASSICS UNDERGRADUATE HANDBOOK
Assessment pattern
Coursework = 100%
Re-assessment
Coursework = 100%
Learning and teaching methods and delivery
Weekly contact
1 x 2hr seminar x 11 weeks
Intended learning outcomes
- Identify and describe characteristic features of ideologically inflected classical reception from the 19th to 20th century; identify and describe characteristic approaches to classical reception studies.
- Describe and analyse several major sites of classical reception among the international left; describe and analyse key moments in the history of the international left.
- Analyse the interaction of leftist classical receptions with their social, cultural, intellectual and historical context.
- Analyse, critically evaluate and discuss interdisciplinary scholarship which illuminates the leftist reception of classical culture.
- Devise sophisticated and wide-ranging, coherent arguments on important research questions related to the prescribed texts / cultural objects on the basis of a thorough analysis of the primary evidence and the critical analysis of scholarship.