AH3132 The Relief
Academic year
2024 to 2025 Semester 2
Curricular information may be subject to change
Further information on which modules are specific to your programme.
Key module information
SCOTCAT credits
30
SCQF level
SCQF level 9
Planned timetable
To be confirmed
Module coordinator
Dr R M Ezra
Module Staff
Dr R Ezra
Module description
Caught between two and three dimensions, the relief remains hard to pin down. It is at once an aesthetic concept and a category of object, a deceptive fiction and a solid reality, a bearer of knowledge and a storehouse of memory. This course studies salient examples of relief in virtual exhibition and in person, attending to functions and conditions of display; to narrative strategies; to constructions of space; and to material distinctions between painting and sculpture, carving and modelling, low and high elevation. Focus objects and weekly readings introduce key debates in the history of art, from the hierarchy of media and the invention of perspective to the didactics of dioramas and the design of monuments. Special attention will be paid to the development of the relief in early modern Europe (1400-1750). Other case studies include ancient stonecarving, medieval bronze doors, nineteenth-century topographic models, modern choreography, and contemporary memorials.
Relationship to other modules
Pre-requisites
BEFORE TAKING THIS MODULE YOU MUST PASS AH1001 OR PASS AH1003 AND PASS AH2001 AND PASS AH2002
Assessment pattern
Coursework 100%
Re-assessment
Coursework 100%
Learning and teaching methods and delivery
Weekly contact
1h lecture (x11 weeks), 2h seminar (x11 weeks), 1h office hour (x12 weeks)
Guided independent study hours
30
Intended learning outcomes
- Analyze and interpret three-dimensional works of art with confidence and precision. This includes describing forms, processes, tools, and materials with appropriate technical vocabulary introduced in lectures and readings.
- Enter into dialogue with past viewers, contemporary scholars, and peers through readings, text annotations, and in-class discussions, thereby appreciating art history as an ongoing conversation to which their voice adds value.
- Conceive and develop an original argument, and present it in an articulate and compelling manner.
- Conduct independent research through the use of library resources, the study of artworks and period sources, and other forms of art historical investigation.
- Participate in constructive group discussion and present their ideas to others.
- Work diligently under strict deadlines.