Who can supervise my thesis?

Below is a list of staff who can supervise research. You are encouraged to make contact with a potential supervisor prior to applying.

Professor Michael Cowan

Head of Department

I welcome PhD enquiries in any area related to my work. (German film, media history, etc.).  I also strongly encourage applicants to consider forms of co-supervision, for which there are many opportunities for competitive funding (offering fees and maintenance). These include:

-Co-supervision across Schools at St Andrews in view of a St Andrews Interdisciplinary Doctoral Scholarship. We have a particularly strong framework for a) projects on German cinema or European film co-supervised with Modern Languages or b) topics in media history or visual culture co-supervised with Art History.

-Co-supervision across Scottish universities in view of an AHRC-SGSAH application.

-Co-tutelle with European universities in view of a St Andrews Inter-European Doctoral Scholarship

 

Dr Lucy Fife Donaldson

Dr Lucy Fife Donaldson

Lecturer in Film Studies

I would welcome projects from students working in various areas of film and television performance and aesthetics, affect and embodiment in film, audio-visual design, film sound, film criticism, genre  (especially horror and melodrama) and American cinema.

Dr Paul Flaig

Lecturer in Film Studies

I would welcome projects from students working in silent and early film studies, media theory and archaeology, film comedy, German cinema, animation, film theory (especially psychoanalysis and the Frankfurt School).

Dr Elisabetta Girelli

Senior Lecturer in Film Studies

I am interested in supervising doctoral theses on these broad topics: stars studies; performance and silent cinema; queer cinema and queer theory; sexual, gender, and national identity in British, European, and Hollywood cinemas, within frameworks of cultural analysis and theories of representation; crip theory; representations of normativity and its contestations.

 

 

Professor Dina Iordanova

Professor of Film Studies

Currently I supervise students working on film and historyfilm festivals, and Eastern European cinema and national identities in film. I receive many queries from potential students, mainly in two of the areas of my expertise: A. transnational cinema and film festivals/global film circulation and B. Eastern European/Balkan cinema.  These remain the areas in which I am still mainly interested in supervising research students.

Dr Anuja Jain

Lecturer

I would welcome projects from students working in various areas of South Asian cinema, experimental film and moving image, transnational visual and material cultures, film and politics, documentary film with a specific interest in questions of community and public sphere, film spectatorship, and violence and questions of representation.

 

Dr Philippa Lovatt

Lecturer in Film Studies

My research interests are in East and Southeast Asian cinemas, experimental film and documentary, sound in audio-visual media, censorship and film activism and I particularly welcome PhD students whose work relates to any of these areas.

Dr Tom Rice

Senior Lecturer in Film Studies

I would welcome approaches from research students working on projects related to aspects of film history, colonial cinema, British documentary, early American cinema, world cinemas (especially pre-1960), non-theatrical film practices, and educational and government film. I would be particularly interested in supervising projects that engage with primary research materials or that work with film archives.

Dr Leshu Torchin

Senior Lecturer in Film Studies

I am interested in advising students working in the area of film and social justice, representations of genocide and the Holocaust, trauma, collective memory, documentary, visual anthropology, media anthropology, and film industries (including tourism).