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Who are we?

Our department covers a wide range of film and media history, with an emphasis on questions of film culture. Our work asks not only what’s in the film, but also what’s happening around it: what kinds of infrastructure, institutions, networks, ideas, technologies, and embodied practices make certain films and styles possible at certain moments? Particular strengths include work on film festivals, non-theatrical and “useful” cinema, and silent film culture.

Our staff members are leaders in their field. Together, they have authored or edited over twenty books, some of them award-winning, including Walter Ruttmann and the Cinema of Multiplicity (Michael Cowan), White Robes, Silver Screens (Tom Rice), Texture in Film (Lucy Fife Donaldson), Cinemas of Paris (Dina Iordanova), Film Nation: Hollywood Looks at U.S. History (Robert Burgoyne), Montgomery Clift, Queer Star (Elisabetta Girelli), New Silent Cinema (Paul Flaig), and Creating the Witness: Documenting Genocide on Film, Video and the Internet (Leshu Torchin).

We have an excellent record of funding and research projects with grants from AHRB, Leverhulme Trust and the British Academy, among others.

Formed in 2004, we are a small but rapidly expanding department. We have recently added three new staff members Michael Cowan, Lucy Donaldson and Anuja Jain.

Professor Robert Burgoyne (retired)

My work centers on historiography and film, with a special emphasis on American cinema, history and national identity, and the counter narratives of nation that have emerged in many films.

Professor Michael Cowan

I work in film and media history, with a focus on early European film and visual culture. Related interests include digital cinema, film technology, theory, experimental film and non-theatrical cinema.

Dr Lucy Fife Donaldson

Dr Lucy Fife Donaldson

My research focuses on film style, texture, performance and the body. I am interested in bringing together close textual analysis with issues of embodiment, experience and sensation. I am currently work on performance in television and on the work of audiovisual designers in film.

Karen Drysdale

Karen Drysdale has been a member of the Department of Film Studies since its founding in 2004. She manages the main office and provides administrative and organizational support for all aspects of departmental operations, including undergraduate teaching, postgraduate teaching and supervision, research events and environment, departmental finances, and administrative tasks.

Professor Richard Dyer (retired)

My work focuses on issues of representation and entertainment and especially the relations between them: how the form that a representation takes has much to do with its entertainment value, how entertainment works through representations.

Dr Paul Flaig

My research focuses on transformations of film and film history across transnational space and anachronistic time, tracking appropriations of cinematic genres and stars in diverse cultural, medial and historical contexts. I am interested in the ways films move beyond themselves in terms of how they are not only understood or […]

Jean-Michel Frodon (retired)

I am a world-renowned journalist and film critic at weekly “Le Point” (1983-1990), “Le Monde” (1990-2003). I was editorial director of “Cahiers du Cinema” between 2003 and 2009.

Dr Elisabetta Girelli

My most recent and current research focuses on silent film, stardom, performance, cultural analysis and discourses, sexuality and gender, subversion and difference. Prior to this development, I concentrated on the creation of identity on screen, and its link to cultural analysis. I especially worked on queer theory and theories of […]

Professor Dina Iordanova

As the founder of the Film Studies department, I am particularly proud to have been the first Chair in Film Studies in the University’s 600 year-long history. I am an international authority on transnational cinema, global film industries, and film festivals, as well as on Eastern European and Balkan cinema.

Dr Anuja Jain

My research and teaching interests revolve around South Asian film, media and visual culture; documentary film; media citizenship and publics; experimental film and video art; Asian Cinemas and modernity; memory and trauma studies.

Dr Philippa Lovatt

Broadly speaking, my research focusses on the politics of film form. My particular areas of interest are in East Asian and Southeast Asian cinemas, experimental film and documentary, sound in audio-visual media and more recently, on the relationship between censorship and grassroots film activism in Asia. I have published my […]

Dr Tyler Parks

My research explores questions around the nature and value of different modes of cinematic thinking, particularly in relation to art cinema, experimental non-fiction film, and cinematic landscape. This generally involves working between close analysis, theories of cinematic style and narration, and broader reflections drawn from philosophy and cultural theory. At […]

Dr Tom Rice

With a focus on film history, my research examines the complex relationship between political and cultural movements and cinema.

Dr Zoë Shacklock

My research explores the aesthetics and affects of contemporary narrative television, with a focus on questions of medium-specificity, the body and embodied spectatorship, gender and sexuality, and structures of empathy. I am particularly interested in questioning the evaluative frameworks that underpin the legitimation of cultural texts and media forms, and […]

Dr Leshu Torchin

I research topics in research in documentary, Holocaust and genocide studies, media and activism (such as economic and social justice, human rights, feminism), film festivals, and politics on film. Other interests include media and migration (both travelling cultures and the expanded realms of film), and tourism. Proposed theses on these topics are welcome.