- John Bellany,
Woman of the North Sea.
- Elizabeth Blackadder, Untitled.
- John Byrne, Juggling Harlequin.Steven
Campbell, Portrait of
Tom Normand.
- Calum Colvin, Mute Swan.
- Ken Currie, Age of Uncertainty.
- Ken Currie, Reprisal.
- Alan Davie, Zurich Improvisations
XII.
- Paul Furneaux, Black Madonna.
- John Houston, Untitled.
- Ian Howard, Drago.
- Callum Innes, XI
- Elspeth Lamb, The Gift.
- Patricia Macdonald, Braided
river and ancient pines, Glen Feshie, Cairngorms.
- Patricia Macdonald, Lochan
Uaine (The Green Lochan) below the Angel's Peak of Carn an t-Sabhail,
Cairngorms.
- Will Maclean, Bird Altar.
- Will Maclean, The Tanera Suite.
- William McCance, Machine Moloch
or Machine Gods.
- William McCance, The Engineer,
His Wife and Family.
- William McCance, Tree Trunk
Composition.
- June Redfern, Early Morning
Mist.
- Elaine Shemilt, Image in a Bell Jar.
- Alison Watt, Untitled.
- Adrian Wiszniewski, For Max.
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Alan
Davie (born 1920)
Zurich Improvisations
XII
1966
Lithograph: artist's
proof
HC2001.14
Alan Davie was born in Grangemouth and studied at Edinburgh College
of Art (ECA) from 1937 to 1940. He served in the Royal Artillery
from 1940 to 1946. His first one-man show was in Grant's Bookshop,
Edinburgh in 1946. He travelled throughout Europe in 1947 after
receiving a travelling scholarship from the ECA. In Venice, he
met Peggy Guggenheim who introduced him to American Abstract Expressionism. During
the 1950s he became known internationally with exhibitions in London
and New York.
The symbols and rhythms in Davie's work reflect his interest in the
symbolism of non-Western cultures and a lifelong passion for jazz and
poetry.

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