- John Bellany,
Woman of the North Sea.
- Elizabeth Blackadder, Untitled.
- John Byrne, Juggling Harlequin.Steven
Campbell, Portrait of
Tom Normand.
- Calum Colvin, Mute Swan.
- Ken Currie, Age of Uncertainty.
- Ken Currie, Reprisal.
- Alan Davie, Zurich Improvisations
XII.
- Paul Furneaux, Black Madonna.
- John Houston, Untitled.
- Ian Howard, Drago.
- Callum Innes, XI
- Elspeth Lamb, The Gift.
- Patricia Macdonald, Braided
river and ancient pines, Glen Feshie, Cairngorms.
- Patricia Macdonald, Lochan
Uaine (The Green Lochan) below the Angel's Peak of Carn an t-Sabhail,
Cairngorms.
- Will Maclean, Bird Altar.
- Will Maclean, The Tanera Suite.
- William McCance, Machine Moloch
or Machine Gods.
- William McCance, The Engineer,
His Wife and Family.
- William McCance, Tree Trunk
Composition.
- June Redfern, Early Morning
Mist.
- Elaine Shemilt, Image in a Bell Jar.
- Alison Watt, Untitled.
- Adrian Wiszniewski, For Max.
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Calum
Colvin (born 1961)
Mute Swan
1994
Cibachrome print: artist's proof
HC1999.3
Calum Colvin was born in Glasgow and studied at Duncan of Jordanstone
College of Art in Dundee from 1979 to 1983. From 1983 to 1985
he undertook postgraduate study in photography at the Royal College of
Art, London. He is among the most important contemporary Scottish
photographers and exhibits throughout the world.
Colvin's photographs are complex. He builds a stage set from
old furniture and other objects. Colvin paints the set with a
scene, often from the history of art. Finally he photographs the
set. The scene and objects join into a single vision, often telling
a story or forming an allegory. Mute Swan is from the
series of allegories based on bird subjects titled 'Ornithology', exhibited
in London in 1996.
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